"The Game"
Piecing together a jigsaw puzzle
can be a fun activity to do by one's self. All the pieces have to fit one
way or the other to form something bigger. After you dump all the
fragments of cardboard out on the table the pile appears monstrous,
overwhelming, and confusing. How are they all supposed connect to one
another? The idea behind a puzzle first and foremost should be
enjoyment. However, a puzzle can become frustrating to the point where
you want to just give up. You know you have to finish it though because
in the end you can look back and have a feeling of accomplishment. This
is pretty much how I felt while watching David Fincher's The Game.
It's investment banker Nicholas
Van Orton's (Michael Douglas) birthday. A big house and fancy car are
just some of the perks of being an incredibly successful business man living in
San Francisco. But what present would be fitting to get for the man who
has everything? Sure the man has his wealth, but where's all the fun and
excitement in his life? Conrad (Sean Penn,) Nicholas's brother, thinks he
knows a way to cheer him up. Conrad gives Nicholas the gift of Consumer
Recreation Services (CRS.) CRS is a company that tailors games to fit the
specific needs of any individual. While at their facilities,
Nicholas is subjected to a bunch of physical and mental tests which are
supposedly collecting data that will be used in his game. But when will
the game commence? After a creepy clown doll shows up at his house and
broadcasters on the nightly news start directly talking to him; that's how
Nicholas knows his game has started. From there our protagonist is put
through a series of events, some that are even near death experiences. Soon the
game starts to consume his life. Is this really all part of the game
designed by CRS?
The Game came out after
Fincher's Se7en but before Fight Club. I have to say that I
felt fairly pleased with this film. It has none of the grotesqueness of Se7en
or overrated hype of Fight Club. Don't get me wrong, both are
good films in their own right. Given the choice though I think I would re-watch
The Game before the two formally mentioned films. The Game came
off as being a decent psychological thriller. For the first hour of the
film the screenplay is confusing, misleading, and most of all puzzling.
All of this is intentional though because I want to be on the same knowledge
level as Nicholas. I want to feel everything that he is feeling.
Fincher and the screenwriters do a fine job of this.
The plot has its twists and
turns along the way which come off as somewhat unbelievable at times, but not
as clichéd as I was expecting because at no point did I feel I knew more than
Nicholas. It certainly is a guessing game because paranoia begins to set
in. How much of what we are seeing is actually part of the game? I
liked that element of being overly suspicious of everything and everyone.
It subtly works its way into the picture. This is a smart thriller that
knows how to push its audience.
I guess my main complaint would
be the ending. I wouldn't characterize it as being problematic.
That seems too harsh. Improbable is more like it. I'm not going to
fault the film for that though. The Game is such a tangled web of
deceit that even though it is overreaching its boundaries, that level of
extremity had to be obtained. I accept the conclusion in all its
craziness.
The immaculate production design
by Jeffrey Beecroft and handsome photography by Harris Savides further
accentuate the mood and tone of this film. The Game is an
intriguing and subtle psychological thriller that invites us to play along in
game that is not what it appears to be. This is a worthy entry in
Fincher's career. I think his direction is somewhat more restrained in
this picture than his other works but that's because the screenplay doing most
of the work. The Game is a tense and exciting piece of cinema. Jefferson Airplane’s White Rabbit is used in one scene during the film. As the lyrics suggest, “Feed your head, feed
your head,” and give your brain some stimulation with this above average
thriller.
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