"Wall Street"
I don't know much about the
business of the stock market. So I suppose there's a lot in the language of
Oliver Stone's Wall Street that I probably missed. Just like in Margin
Call, the characters speak in tons of lingo and use terminology that is
above my understanding. But after having sat through the whole film, one
can look back and realize that getting bogged down in the choice of words isn't worth the worry. It's the themes of this flick that are significant and still prevalent throughout society today. Greed, power, corruption, moral dilemmas, and business ethics all
play apart in this tale of one man's rise and fall in a world full of business
suites, beautiful woman, extravagant penthouses, and fat paychecks.
Bud Fox, (Charlie Sheen) like so
many other Americans wants to become rich, successful, and live in the lap of
luxury. When we meet him though he lives in a crummy one bedroom
apartment, struggling to pay his bills (and student loans,) going to his father
(Martin Sheen) for money just to stay afloat. Bud works at a piddly
investment firm as a stockbroker. He is a small fish in a big pond.
The shark that he aspires to be goes by the name of Gordon Gekko (Michael
Douglas.) Bud's goal is to somehow woo Mr. Gekko. By giving him
some insider information about upcoming transactions that would then greatly inflate Gordon's bank account, Bud then could be shown the ropes of what it
takes to become a successful stockbroker on Wall Street. The question
though is, how much of his own personal dignity is Bud willing to sacrifice at
the hands of his mentor?
Gordon Gekko is a bad guy,
there's no way around it. But he is a business bad guy. A certain
charisma and likability follows him in every scene. Douglas knows how to
play this character with fantastic style, cunning smarts, and underhanded
shrewdness. Considering that Bud has a rather low opinion of his father,
Gordon steps in as this paternal figure that he can look up to. At the
same time though Gordon and Bud's relationship isn't as cut and dry as it
appears on the surface. Gordon keeps Bud on this leash that changes
lengths throughout the picture. Bud is only willing to learn so many new
tricks from his master before he then bites the hand (deservedly so) that feeds
him.
There is an interesting power
struggle between the two characters. Stone achieves this not only through
Douglas' and Sheen's performances but also through Robert Richardson's camera
movement. Many scenes have this effective theatrical style of
presentation to them. I think this adds a dimension of realism by allowing
us to be a part of the show. Intimacy works in a film like this because
the story is so contained to really only a few characters. When Bud
confronts Gordon over some shady (to put it mildly) business dealings,
Richardson's camera acts as more than just a fly on the wall.
Oliver Stone has put together a
somewhat dated but still very effective character driven piece with top notch
performances from his two leads. Wall Street gives us yet another
glimpse into the seedy underbelly of corporate America. While the
screenplay is predicable I wasn't ever uninterested in what was going on.
Gekko is such a fascinating character to watch. He clearly lives up to
his last name. The suave intensity Douglas shows us is wonderful but also
conflicting to our morals. I wanted to like him but I know that would be
wrong, so wrong. For a character to evoke so many different emotions in
the viewer can sometimes be a good thing. The complexities of Gordon Gekko
are unique to the world of Hollywood villainy. Greed knows no
limits.
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